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LILJANA MEAD MARTIN




Mod Thermal; Sink Or Shiver (detail), 2022.
Charred pine, resin, phosphorescent pigments,
60 x 5.5 x 4”.




Negative [Space] Interface is composed of an installation of ink prints, taking the shape of charred threshholds in reference to the Wildlife Urban Interface. Through research into west coast forests and zoning terminology called the Wildland Urban Interface (WUI zones). Therein exists a transition zone between what is considered wildland and new human development. These artworks draw from  research on WUI zones to create these works, bridging questions between architecture, land, and ideas of progress, to share thresholds in transitional times.
materialink monoprints on paper, panels, installation.